REVIEWS    




"Özgen’s playing is stunningly versatile and expressive throughout."
ACOUSTIC GUITAR (USA), Julia Crowe

"Troubadour CD is a shining example of this guitarist's great talent."
GUITAR REVIEW (New York), Matthew Hough

"This is the finest music DVD ever to have come my way at the time of writing...both the sound and the vision are of pristine quality...the quietly authoritative Özgen comes over as being fully in control of the diverse and demanding brief he has set himself...remarkable achievement..."
CLASSICAL GUITAR (England), Paul Fowles

"Mesut Özgen delivers performances that are forceful and convincing even when the music is dauntingly difficult."
SOUNDBOARD (Guitar Foundation of America), James Reid

"Özgen displayed his dazzling classical guitar playing...Crystalline notes glistened in "Variations on an Anatolian Folk Song" by Carlo Domeniconi. Here, sensitive phrasing delineated various treatments of the haunting tune..."
SANTA CRUZ SENTINEL, Phyllis Rosenblum: Classical Beat

"... impressive high level of musicianship, artistry and professionalism...with impeccable understanding of technique, musical structure and detail of melodic line in roles both as soloist and accompanist."
REGISTER-PAJARONIAN, Josef Sekon

"Mesut Özgen is a highly accomplished and exciting player; he gets the most out of the music he performs... The phrasing is immaculate and his technical capabilities are considerable."
CLASSICAL GUITAR (England), Steve Marsh

"...an exceptional talent who breathes freshness into every piece he plays."
ACOUSTIC PLAYER MAGAZINE

"...an extremely gifted guitarist."
Rosalyn Tureck, harpsichordist, conductor, Julliard School

"...Next came the American premier of Beaser's Shenandoah for solo guitar, masterfully performed by guitarist Mesut Özgen"
SOUNDBOARD, John Mangan (Yale Guitar Extravaganza)

"This is a great virtuoso who will dazzle audiences for years to come."
Benjamin Verdery,  chair of guitar department, Yale University

"...moving performance by Mesut Özgen...Robert Beaser's Shenandoah followed, and Özgen played this very difficult piece extremely well. Every voice was clear, even in the densest textures... Next in Anthony Newman's Gigue his playing was precise and energetic."
SOUNDBOARD, James Reid (Portland Guitar Festival)

"well-balanced program, including Renaissance, Baroque, Romantic, and 20th century works, expert performance, and excellent communication with the audience"
HÜRRIYET, Sefik Kahramankaptan

CONCERT REVIEWS:

"Keman ve gitarin muhtesem uyumu: Aksak Duo" (Magnificent togetherness of violin and guitar) e-gazete

"Konya'dan Anadolu Ezgileri Yankilandi" (Anatolian tunes cascade through Konya) Konya Postasi

"Özgen displays spectacular classical guitar at Distinguished Artists concert" Santa Cruz Sentinel

"Colorful 20th-century musical extravaganza pleases Mello crowd" Register-Pajaronian

"2001: A Guitar Odyssey" City on A Hill Press

ARTICLES:

“Turkish Delight: Guitar master Mesut Özgen's use of classical Turkish melodies inspires a local following” Metroactive Music

"The Wizardry of Oz" Metroactive Music

"Classical Guitar Unleashed!" Santa Cruz Sentinel

"Faculty collaborate for innovative, multimedia classical guitar concert" Currents Online

"A Glimpse Inside the Future of Concert Art" GuitArt International January/March 2004, no.5

"The guitarists and the basketball player" Santa Cruz Sentinel

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